Walden: 150th Anniversary Illustrated Edition of the American Classic | 
| Authors: Henry David Thoreau, Scot Miller
Publisher: Houghton Mifflin
Category: Book
List Price: $28.12
Buy Used: $11.38
You Save: $16.74 (60%)
New (25) Used (23) Collectible (2) from $11.38
Rating:  9 reviews
Sales Rank: 77728
Media: Hardcover
Edition: 1
Number Of Items: 1
Pages: 288
Shipping Weight (lbs): 2.8
Dimensions (in): 10.1 x 9.3 x 1
ISBN: 0618457178
Dewey Decimal Number: 818.303
EAN: 9780618457175
ASIN: 0618457178
Publication Date: August 11, 2004
Availability: Usually ships in 1-2 business days
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Product Description
In August 1854, Houghton Mifflin"s predecessor, Ticknor & Fields, published a book called Walden; or, Life in the Woods, by a little-known writer named Henry Thoreau. At the time the book was largely ignored, but it has gone on to become one of the most widely read and influential works ever published, not only in this country but throughout the world. In August 2004 Houghton Mifflin, in association with the Walden Woods Project, will proudly publish a special 150th anniversary edition, beautifully illustrated with Scot Miller's spectacular color photographs, which are accompanied by historic black-and-white photographs and drawings. In the spirit of Thoreau, the book will be sensibly priced at $28.12, half a cent less than he spent building his cabin at Walden Pond.
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| Customer Reviews: Read 4 more reviews...
Walden: 150 Anniversary Illustrated Edition May 22, 2008
Walden Pond is a classic which everyone should be required to read. I read this years ago and wanted to add this one to my library. What a wonderful surprise it was. The pictures enhance this classic. I recommend this book to anyone interested in Thoreaus' works, Nature and getting back to the basics in life. In this busy life we live, it is relaxing to spend time reading this book.
Lovely January 27, 2008
1 out of 1 found this review helpful
Bought this as a gift for my husband and he really loved the photo illustrations. They are beautiful. Makes a nice "coffee table book".
 Ironic edition January 10, 2008
I'll not dwell on the author's content but on the publisher's choice of binding. Thoreau calls for a complete abandonment of possessions and to always choose the simpler, less expensive if something is needful. This beautiful coffee table book uses expensive glossy enamel paper with gorgeous photographs going way beyond necessity. Every time I picked it up to read, it's irony struck me first and weighed upon me until I set it down. It's a shame really, because with other content it would be luxurious.
SUMPTUOUS SIGHTS & TIMELESS TRANSCENDENTAL TEXT January 15, 2007
11 out of 11 found this review helpful
* "I would rather sit on a pumpkin and have it all to myself than be crowded on a velvet cushion . . . I have thus a tight shingled and plastered house, ten feet wide by fifteen long . . . A lady once offered me a mat, but as I had no room to spare within the house, nor time to spare within or without to shake it, I declined it, preferring to wipe my feet on the sod before my door. It is best to avoid the beginnings of evil."
~ Henry David Thoreau; "Walden"
* "Walden has become as much a state of mind as it is a place."
~ Scot Miller; "Walden - 150th Anniversary Illustrated Edition"
For my birthday in 1984, my dear friend, Marty ("rhymes with party"), gave me the 1981 Avenel books hardcover edition of WORKS OF HENRY DAVID THOREAU. This compilation contained all of the famous transcendentalist's most significant writings and the thirty intriguing Herbert Wendall Gleason, black and white photographs that graced the 1906 publication of Thoreau's complete works.
My dear friend died in an auto accident five years later, but part of his legacy is the passion for Thoreau's philosophy that his gift awakened in me, and that book which occupies a prestigious place in one of my bookcases right between my Holy Bible and my 1st edition copy of Mark Twain's 1872, Roughing It. And my book, though yellowed now, looks pretty good for a volume 23 years without a dust jacket (I nearly always trash the things immediately), and for having been completely read twice, and thumbed through hundreds of times!
A couple of years ago, GFM (Good Friend Melanie) gave me a softcover copy of WALDEN AND OTHER WRITINGS, and I was glad to have it as it contained a couple of essays and excerpts I'd not previously read, and it provided me with a copy of Thoreau's best that I could loan out to others.
Therefore, when my friend, Pooh, and I flew into Philadelphia in late August 2005, to visit the birthplace of our nation, and then to drive north to visit Walden Pond and environs, I did not consider purchasing a copy of this 150th ANNIVERSARY ILLUSTRATED EDITION of WALDEN for myself while in Thoreau's hometown. I already had two copies of this true classic and couldn't see buying a third despite the stunning pictures included in this publication. I did, however, bring home a copy as a gift for GFM. (The woman in the bookstore in downtown Concord, Massachusetts, pointed out to me that the original publishing price - printed on the inside flap of the dust jacket - was $28.12, half a cent less than Thoreau tells us it cost him to build his little house at Walden's shore in 1845. (He officially moved into his homemade home on the appropriate date of July 4th, and an American classic was born!)
One day, shortly after returning from my memorable trip, I borrowed from GFM the copy I had given her, so I could gaze upon the nearly 100 SCOT MILLER photographs once again. And I was so awed by the indescribably gorgeous and practically breathtaking pictures of the Walden area and its flora and fauna, that I realized I needed to own this book like Thoreau needed solitude. And that's how I came by Thoreau's WALDEN for a THIRD time! While Marty's gift reigns for sentimental reasons, the 150th Anniversary Illustrated Edition is tops in exquisite beauty - a lovelier and more profound coffee table book is simply unimaginable; a richer gift for a valued friend couldn't be purchased at ANY price! This edition is simply a divine marriage of Thoreau's insight into the nature of Man and his place in nature, and Scot Miller's illustrations of the natural world wherein Thoreau made those treasured observations over a century and a half ago. Hey, I even left the dust jacket on this book despite the fact that the jacket's photograph is also reprinted on page 2, and it barely even hints at the wonders inside.
In Thoreau's WALDEN, the naturalist makes the following observation in the chapter titled, "Sounds": "I had this advantage, at least, in my mode of life, over those who were obliged to look abroad for amusement, to society and the theatre, that my life itself was become my amusement and never ceased to be novel. It was a drama of many scenes and without an end." And Scot Miller has brilliantly captured with his camera the splendor of that "drama of many scenes" at Thoreau's old stamping ground.
I'm not knowledgeable in the techniques of photography, so I can't explain to you HOW Miller was able to make photographs like these (it seems obvious to me, however, that he must employ an array of various filters and such). All that I CAN tell you is that words can't describe the virtual explosion of colors (like nature vibrantly celebrating that 1845 4th of July within Herself) and the uncommon degree of visible detail (staring at those rocks and leaves in "Still Life Under Ice", I can almost feel the bone-numbing cold that any one of those stones would penetrate my hand with). "Magical Fairyland Pond" is the perfect caption for that dreamlike picture of Walden's sister pond. I can almost hear a lonely dog barking from across the glittering snow while hidden deep in the distant, wooded shore, when I'm lost in the "Sunrise On Frozen Walden Pond." I'm not even going to attempt to describe the "Nature's Palette, Heywood's Meadow" photograph on page 32. Suffice to say that God is "The" Master Painter. Incredible! (And Scot Miller, you're a wonder, too!)
This five-star beauty of a book represents the pinnacle of the publisher's art, and it includes a shot of the exact site of Thoreau's 1845 cabin (previously obscured by a cairn), and Henry's simple tombstone, which I visited at the Author's Ridge section of the Concord cemetary where our hero's physical body gradually became a part of the nature that his spirit loved so much.
Revisiting Walden July 8, 2006
18 out of 18 found this review helpful
On a family vacation many years ago, I visited Walden Pond and walked all around it. In celebration of the 150th anniversary of the publication of Thoreau's Walden, the Walden Woods Project published, in 2004, this illustrated edition of the work with stunning color photographs by Scott Miller of Walden Pond and its environs. The Walden Woods Project is a nonprofit organization dedicated to the preservation of Walden Pond and to the legacy of Thoreau. I found this book a fitting memorial of my walk around Walden Pond and of my earlier readings of Walden. The lovely edition, photographs, and memories inspired me to turn again to Thoreau's book.
Henry David Thoreau (1817 -- 1862) lived at Walden Pond, Masachusetts from July, 1845 -- September, 1847, in a cabin he built himself on a tract of land owned by his friend, Ralph Waldo Emerson. He was two miles from Concord, Massachusetts and one mile from his nearest neighbor. A railroad passed near the pond, and it was frequented regularly by farmers, hunters, picnickers, and others. During the two years, Thoreau left Walden Pond at times to visit friends in Concord, to lecture, and to visit other ponds and sites in the area. He made no pretense of being entirely isolated. In his book, Walden, published in 1854, Thoreau described the first year of his life at Walden Pond (he tells us that the second year was much the same) and his reasons for living there. Much of the book was written at Walden Pond, and Throreau also wrote other works there.
The book is short but it is written in a dense, difficult and condensed style with many long, complex sentences. It is also highly allusive and shows Thoreau's learning in classical literature and his interest in Eastern thought and religion. It is filled with many short, pithy, and provocative comments which have become proverbial in American literature.
In the opening and closing chapters of the book, Thoreau describes his motivations for living at Walden Pond and abandoning the life of commerce. For Thoreau, most people are owned by their possessions. He saw a need to live with little encubrance in order to understand himself and find inner peace. "Simplify, simplify, simplify" was his goal. In one of my favorite sentences of the book, he states (p. 67) "I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived." Then, towards the end of the book, Thoreau recounts some of the lessons he had learned in the following passage:
"We should be blessed if we lived in the present always, and took advantage of every accident that befell us, like the grass which confesses the influence of the slightest dew that falls on it, and did not spend our time in atoning for the neglect of past opportunities, which we call doing our duty. We loiter in winter while it is already spring."(p/253)
In the middle sections of the book, Throreau describes his life in the woods, again with recognition of his substantial interactions with other people during the time. (He was not a hermit.) He describes the books he read, his activites at his cabin, Walden Pond and woods, the changes of the seasons, and the plants and animals. The pond and its creatures are described with great detail, but Thoreau gives even more attention to internalizing his experiences and explaining their significance to his readers.
Scott Miller's beatiful photographs of Walden Pond add a great deal to this edition. They are well-placed to correspond with the discussion in the text, and they illuminate Thoreau's descriptive passages. The photographs, and the book itself, brought back reading and visiting memories and made me want to see Walden Pond again.
But much as Walden is revered for its descriptions of nature, the book remains for me primarily internalized and intropsective. Thoreau has many polemical things to say which will not, and should not, appeal to all readers. But the book documents the effort of an individual to try to understand his life, to reflect, and to understand change. As I have suggested, it is not an anti-social book as Thoreau was never far removed from friends and company. But it is a book about understanding one's life and learning not to be afraid of solitude or of being with oneself.
Robin Friedman
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