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Gardens and Imagination: Cultural History and Agency (Dumbarton Oaks Colloquium Series in the History of Landscape Architecture)

Gardens and Imagination: Cultural History and Agency (Dumbarton Oaks Colloquium Series in the History of Landscape Architecture)
Creator: Michel Conan
Publisher: Dumbarton Oaks Research Library and Collection
Category: Book

List Price: $35.00
Buy New: $29.99
You Save: $5.01 (14%)



New (23) Used (8) from $29.99

Sales Rank: 1238522

Media: Paperback
Number Of Items: 1
Pages: 310
Shipping Weight (lbs): 2.7
Dimensions (in): 10.3 x 9.5 x 1

ISBN: 0884023354
Dewey Decimal Number: 712.01
EAN: 9780884023357
ASIN: 0884023354

Publication Date: October 15, 2008
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Dumbarton Oaks 2008 oversized paperback in French wraps, unopened/ unread. An EXCELLENT copy at a bargain price.

Similar Items:

  • Landscape Design: A Cultural and Architectural History
  • Gardens, City Life, and Culture: A World Tour (Dumbarton Oaks Other Titles in Garden History)
  • Middle East Garden Traditions: Unity and Diversity (Dumbarton Oaks Colloquium Series in the History of Landscape Architecture)
  • Living Systems: Innovative Materials and Technologies for Landscape Architecture
  • A Pattern Language: Towns, Buildings, Construction (Center for Environmental Structure Series)

Editorial Reviews:

Product Description

From mirroring the true reality of God in Sufi Persia to the enjoyment of fictitious identities in Rome or present-day Granada, the ways of imagination in gardens are infinitely varied. This book explores how gardens could be imagined, and also how they could be used to trigger the imagination by very different cultures in Japan, China, Russia, the Ottoman Empire, Italy, Spain, and Israel. This multicultural approach reveals surprising features of the process of imagining a garden: the various aspects of the world that gardens may mirror, the role of cultural changes, and the unsuspected links between garden materiality, practices, and imagination. It reveals how garden imagination is fraught with ambiguities that give a sense of freedom to garden users but may entrap their thoughts within frames specific to each culture.




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